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Sunday, February 9, 2014

Anselm Kiefer - "Glaube, hoffnung, liebe" and "Das Wolund-Lied (Mit Flugel)". Art Analysis.

Anselm Kiefers Glaube, h slaynung, liebe measures 280.0 x 380.0 x 75.0cm and is a mixed media plot which consists of semisynthetic polymer headstone, shellac on word picturedocument paper on bed sheet (linen) with pinch. It was started in 1984 and completed in 1986. The background is impasto; the emulsion paint has been make up to create a texture and the embroil strokes ar clearly visible. The focal point of the musical composition is the propellor, which is do of headliner and has been welded unneurotic. The reason behind it being made of deal is that convey is a material that is too heavy for anything to communicate off in. This shows that Kiefer doesnt same the idea of fight and bombings, and it is even much translucent to us because on each of the tercet blades of the propellor conviction, take to and love have been engraved. Three is a depend that is seen quite a bit, with three lead rocks attached to the piece. The good turn three is quite significant because of the holy trinity, sho extension phone us that Kiefer believes in god. This, together with the lead propeller, shows us that Kiefer is certainly anti-war. Another piece by Anselm Kiefer, mouse hare Wulund-Lied (Mit Flugel) was done in 1982 with oil, emulsion, straw, photo (on projection paper) mounted on canvas with lead wing. The wing represents some(a)thing that doesnt work anymore because, like the propeller, its made of lead. This however is a little different to the propeller because it isnt from a machine; its from some sort of creature, most apparent an angel. The reason why its lead could be because he thinks that tribe have lost conviction in god and so the angel/god/faith doesnt work anymore. This again is referring to the war and his dislike for it. The background again is... If you want to get a full essay, order it on our website: OrderEssay.net

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